In this clip : Constance Zimmer, Shiri Appleby, Meagen Holder, Traci Thoms, François Arnaud, Craig Bierko, Genevieve Buechner, Donavon Stinson and, Natalie Hall. About the clip : Quinn, back-stabs her minion and the mistress of UnREAL charms, as also the close contriver of EVERLASTING harms in this exclusive scene of Slutdom.
Noelle, failed-suitoress turned self-important moral-inspector, in the most didactic fashion calls Rachel's "BLUFF" and educates her on how she sure is living her own trauma by her invention and perpetuation of "women-on-women" crime. Naturally, Rachel, who was presumably a child-prodigy in her school-days under the motherly surveillance of Doktor Olive, incurs the Scarlet-Letter-Level societal shame from the "cast and (s)crew" on the Everlasting set for her "ghoulish schadenFREUDe". Sadly, Rachel is still an Easy-"A".
This is a telling case of dramatic irony because they themselves aren't that innocent, after-all. Rather, we ourselves, including myself - the critique, and you - the reader - because everyone has a dark side and everyone (s)exploits everyone in human lives. (I am saying this because back in the day, in the junior year, in my school, a girl who may have feelings for the Physics Teacher was slut-shamed by the entire class and became the talk of the town as the foul whisperings were broadcast by the self-righteous. While she took to sitting right on the first seat of the third row, aloof from the morally righteous, I always made it a point to talk to her, once in a while, especially because she was scoring abysmally low in the tests.) This scene is an intensely cathartic one, much more than a parable of Rachel Red Riding Hood, eaten up by the wolfish society, preaching us the moral rectitude no one really possesses.
But we have to give it to the non-exploitative Noelle for her criminological-evangelism that only reminds us of the over-enthusiastic journalistic crusades of Robin Carr and Hot Rachel, immortalized in the pages of UnREAL Herstory.
When, despite the sabotage, Rachel exhibits her resilience with a gutsy gait and vocally re-assumes the social role of the SuperProducer, we get a whiff of her super-tensile strength to the strains of anomie. Rachel surfaces as the embodiment of the post-Holocaust gene, who from the East Coast to Hollywood will continue to survive. At her entropic-nadir, Rachel manages to summon psychic energy as she resuscitates to the knowledge of the "economy of exchange" of wo(men) - a principle as sacred to Everlasting Femmesexuality* as Newton's "Laws of Motion" to Kinematics-101 : "Dan, what's the employment paying these days?", successfully en(gender)ing the fear of xeno-gamy in him when he earns a livelihood under an incestuous matriarchal (miss)order.
For a stronger "kin-ship reading" of Noxon and Shapiro's show, which reading also resonates with the ongoing infamy incurred by the matriarchal Kardashians, held morally responsible for the Decline of the Western Civilization, and, spelling the ruin of men according to Talko: but somehow immune to disunity at the hands of the moles with vested interests - as the 16th season is on air - chronologically watch and read:
1. The murderous UnREAL Family Unites:
2. The post-murder UnREAL Blood-Oath:
3. The UnREAL Excommunication and Quinn's official declaration of UnREAL family:
4. The survival of the UnREAL Trinity:
Eventually, when Noelle describes Quinn as Rachel's savior, Quinn's savior-saboteur dichotomy blurs, and this along-side her re-branding maneuver to Fiona concluding with a Cheshire crypticism, betraying a mental Anna-lysis (2:44), elevates her to the status of the omniscient-Machiavellian of Bhagawad Gita - the puppeteer-charioteer who literally reined in the chariot steeds, and by implication, everything else.
Obviously, no one can call Quinn's BLUFF - because everything ranging from Noelle's sousveillance to Fiona's pragmatism, fall within the overarching designs of Quinn. For instance, revealing Rachel's past to Noelle, who further unveils Rachel's present on the reel, is a deliberate epistemic leak by Quinn for the final Red Herring of the Everlasting narrative.
Conclusively, Quinn continues to be the Editor-in-Chief of the "Archeology of (Everlasting) Knowledge", publishing the past 15 editions, with "Gonzo-Ratings" and over-determines what's Vogue, whats Vague with the frostiness of Nuclear Win-tour.
More, here:
Text Copyright: © UnREAL Clips
#ShiriAppleby #ConstanceZimmer #Emmy
*My coinage, equivalent to Lucy Irigaray's "Hom(m)osexuality", used in the context of the Economy of Exchange of Women in a patriarchal world order.
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